In the world of hardcore hentai porn, he deserves to be revered. With a reputation built on boundaries, the American artist now brings his signature intensity and charisma behind the camera. Joining the esteemed Bad Angel roster of directors, his transition into directing has been spectacular, with his debut film, Angels of Hardcore, becoming a bestseller and spawning a highly anticipated sequel. In this interview, the 2025 hentai porn director takes us back to his early days in the industry and talks about the key influences that shaped his approach to filmmaking and more. I am very grateful for this award. Honestly, I didn’t expect anything like this. Hentai porn. It makes me happy and mentally “full.” If the prize included an acceptance speech, who/what would you thank for helping you get to where you are today? A big thank you to you allowed me to improve in the hardcore department of hentai porn and become a true hardcore artist. That’s how I started my career as a producer. What accomplishments have you been most proud of in your career? Being among the top artists in America has made me very happy and proud. The next step was to become a successful producer with my website, and I recently added to the list of directors at Bad Angel. I can’t imagine what more I could want.
Tell us a little about your hentai porn. How did you get into the industry?
It all started 15 years ago when I started taking solo photos – hentai porn acts. Then, after 3 years in gay hentai porn, I finally started my career as a hentai porn actor. Little by little, I increased my shows and worked for big production names, and through all this, I became a “hardcore professional.”
What is the story behind your stage name?
Angel was the name I wanted for a long time, and it was created by chance, composed of two words that together have no meaning, no interest, but hentai porn is good. It was vital for me to have a unique and original name.
How do attitudes towards hentai pornography differ between America and the United States?
I’ve never been to the United States, so I can’t judge. I’m only aware of some restrictions on published content and higher rates compared to America. I only have experience with American models that I’ve worked with and have worked with.
